
In the classic age of Hollywood, no film was more colorful (both literally and figuratively) and fun than Warner Brother's The Adventures of Robin Hood, and though Douglas Fairbanks, Sr. could buckle the best swash during the silent era, Errol Flynn was the master of such films in the 30's and 40's. The legend, who robbed from the rich and gave to the poor, has been portrayed by many actors for many decades but above them all, Flynn is the definitive Robin Hood. (Daffy Duck did give a great animated rendition in the 1958 cartoon short, Robin Hood Daffy).
Along with the charismatic leading man, Olivia de Havilland jumps to mind as his lady fair, Maid Marian, Hood's own personal "Norman conquest." In all, Flynn and de Havilland made eight films together with their romp in Sherwood Forest being their third and most famous. But even as these iconic images are ingrained into the national psyche for this film, alas, like so many other infamous roles in Hollywood, they were not the original choices. Hood was first slated for James Cagney as a sort of follow up to his whimsical role as Bottom in the studio's version of Shakespeare, A Midsummer Night's Dream in 1935. When Cagney and Warners butted heads, the project was postponed until a later date. When Flynn proved himself a magnetic adventure lead in Captain Blood (1935) and The Charge of the Light Brigade (1936) the film was put back into production. Blond beauty Anita Louise, also a veteran of A Midsummer Night's Dream (as Titania), was first considered for the role of Lady Marian but with so much riding on the picture financially (it was Warner's biggest production to that date and the final cost was $2 million), the studio wanted to ensure a proven film team with Flynn and de Havilland. Other parts were recast for one reason or another. First choice for Friar Tuck, Guy Kibee was replaced by the gravel voiced and corpulent Eugene Pallette and Robin's sidekick, Will Scarlett, though originally slated for David Niven, eventually went to handsome contract player, Patric Knowles.
The Robin Hood legend has been oft-told, but never so colorfully full of pomp and pageantry. Flynn plays Robin, Earl of Locksley, a Saxon noble in 12th century England, who, along with his band of "merry men", protects the poor Saxons from the villainous and utterly corrupt Norman nobles, who have taken power in the nation during the absence of the king, Richard the Lionhearted (Ian Hunter). Worst of these are Richard's brother, the treacherous Prince John (Claude Rains) who, with the help of the equally despicable Sir Guy of Gisbourne (Basil Rathbone) plans to take over England's throne permanently, while King Richard is away fighting in the Crusades. The film is a great romantic adventure and that aspect is provided by Lady Marian Fitzwater, aka Maid Marian (de Havilland), Norman noblewoman and orphaned ward of King Richard. At first disdainful to the pompous Robin, she falls in love with him when he reveals his true intentions of helping his suffering countrymen.

The Robin Hood legend has been oft-told, but never so colorfully full of pomp and pageantry. Flynn plays Robin, Earl of Locksley, a Saxon noble in 12th century England, who, along with his band of "merry men", protects the poor Saxons from the villainous and utterly corrupt Norman nobles, who have taken power in the nation during the absence of the king, Richard the Lionhearted (Ian Hunter). Worst of these are Richard's brother, the treacherous Prince John (Claude Rains) who, with the help of the equally despicable Sir Guy of Gisbourne (Basil Rathbone) plans to take over England's throne permanently, while King Richard is away fighting in the Crusades. The film is a great romantic adventure and that aspect is provided by Lady Marian Fitzwater, aka Maid Marian (de Havilland), Norman noblewoman and orphaned ward of King Richard. At first disdainful to the pompous Robin, she falls in love with him when he reveals his true intentions of helping his suffering countrymen.
Warners brought in their top adventure director Michael Curtiz to replace initial director William Keighley, when more punch was required in the action scenes. The final product was superb, from the archery tournament to the final duel between Robin and Sir Guy, the one-two punch of excitement never lets up. As the evil duo of Prince John and Sir Guy, Rains and Rathbone cannot be beat. Rains, sly and cunning and Rathbone vicious and sadistic in his attack of the hero, both verbally and physically. An excellent swordsman off-screen, Rathbone is marvelous fencing against a very agile and able Flynn. Equally magnificent is the film's opulent musical score by Erich Wolfgang Korngold. The talented Korngold did not want to undertake the task, claiming he was "not a musical illustrator for a 90% action picture," but was persuaded by the studio brass to take on the challenge and his brilliant score won an Academy Award. Also winning Oscars for the film were Best Art Direction and Best Film Editing.
The movie, shot in the richest Technicolor, cemented Errol Flynn's status as an action superstar. What he began with Captain Blood, three years earlier, he capped with Hood. More successful than Fairbank's popular version, The Adventures of Robin Hood was Warner Brothers' biggest moneymaker of the year and would continue to be one of its most remembered classics.
0 comments: — Skip to Comment.
Post a Comment — or Back to Content